美国西部摄影 I LIKE AMERICA: FICTIONS OF WILD WEST 夸克云 docx snb kindle pdf 网盘 azw3 下载

　　A comprehensively illustrated companion volume to an exhibition that explores the German fascination with the Wild West.

Beginning in the 1820s when waves of German immigrants crossed America's high plains, German-speaking Europeans were obsessed with the lives, histories, and myths surrounding the American West. This volume examines and documents that enthusiasm and its origins. Paintings, drawings, engravings, exhibition posters, and photographs by American and German artists such as George Catlin, Karl Bodmer, Alfred Bierstadt, George Grosz, August Macke, Emil Nolde, and Carl Wimar are accompanied by illuminating essays that follow the rise of American and European imagery pertaining to Indians and frontier life. Throughout this wide-ranging volume, Germany's enthusiasm for the Wild West is explored through the filter of American visual culture, resulting in a distinctly German take on a distinctly erican myth.

MAX HOLLEIN

INDIAN GALLERIES

PAMELA KORT

PETER BOIZ

NATURAL HISTORIES

THE IMAGE OF AMERICA IN THE GERMAN POPULAR PRESS

H.GLENN PENNY

HISTORICAL NARRATIVES OR SUBLIME VIEWS?

LIVE! ETHNOGRAPHIC EXHIBITIONS, SCIENTISTS AND THE MASSES

ERIC AMES

THE WILD WEST COMES TO GERMANY AND AUSTRIA

KARL MAY

KARL MARKUS KREIS

"THE WINNING OF THE WEST"

COWBOYS AND INDIANS IN THE CIRCUS AND CINEMA

BARBARA McCLOSKEY

FANTASIES OF THE WILD WEST IN EARLY TWENTIETH-CENTURY GERMAN ART

A LESSON FROM BEUYS

EUGEN BLUME

List of Exhibited Works

Index of Names

Photo credits

colophon

Pamela Kort is an independent curator and art historian specializing in twentieth-century art in German-speaking Europe. She lives in Berlin.

　　Max Hollein is director of the Staedelsches Kunstinstitut and the Schirn Kunsthalle Frankfurt.

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